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Compiled
and coordinated by John
Reed with thanks to: Phil
Smee at Waldo's Pictorial Press
and Deke Wheeler. Remastered
by Nick Watson at SRT,
St. Ives, Cambs. Design and artwork by Paul
Bevoir.
An
amazing collection of 60's pop 'n' rock. It contains the only official
track on CD so far by The
Ugly's
with the Ultimate Pubrocker Steve Gibbons!
Buy!
07.03.04
- Their
complete single catalogue will soon be out on CD!
"The
swinging 60's was a breeding ground for many would-be rock stars who even-
tually found fame in the 70's and beyond. "The
Roots Of Rock" unearths 28 skeletons in the closet from
these hard-up heroes making their first footsteps to fame".
Liner
notes:
The NME used to run a
regular photo feature called 'Blackmail Corner', in which ardent young
punks and flamboyant new romantics were exposed in their former guises
as hirsute prog-rockers or coiffured cabaret hopefulls. But not every
youthful adventure needs to be wreathed in shame. For many of the pop
and rock icons of the 60's and 70's, fame would have been unattainable
had they not served their apprenticeship on the British beat and R&B
scene...
Dana
Gillespie
was another artist who tackled one of the Hollies'
backlog of potential hits - in her case "Pay
You Back With Interest" in 1967. Teenage champion swimmer
(?) Gillespie emerged as a protege of Donovan
in 1965, fell briefly in Bob Dylan's entourage
during his UK tours in 1965/66, and survived the resulting media melee
to record the attractive blend of summer pop and folk-rock. There is no
hint in her innocent delivery that Gillespie
would become a glam-rock pin-up alongside David Bowie
in the Mainman table, or emerge as Britain's
most popular, and raunchiest, female blues singer in the 80's and 90's.
Gillespie's
childhood friend and future collaborator, David
Bowie, was also struggling to make his own mark on the
mid 60's pop scene. He'd already missied out with singles back by the
King Bees And The Manish Boys, before he formed
the Lower Third in 1966 and released the remarkable
"Can't Help Thinking About Me".
Compelling and utterly original, the single may have been wrapped in mid-60's
trappings, but it contains the pure essence of Bowie's
later persona as an alienated, self-obsessed chronicler of London life,
caught between guilt and nostalgia for the past that is already slipping
through his fingertips...
There
were few greater social gufs in the 60's than that between Bowie's
working- class roots in Bromley, and the Harrow education enjoyed by A
Band Of Angels. As the Zombies
proved, the merest hint of academic prowess was regarded as an event in
the pop media and A Band Of Angels were required
to pose in school uniform, silly hats and all, for their publicity photos.
More notable in retrospect was the fact that the group boasted a songwriter,
Mike d'Abo, who could write superb blue-eyed
soul songs - something illustrated on their last 45 "Invitation"
(another track belatedly picked up in the early 1970's by the Northern
soul scene). The fact that he also sounded exactly like Paul
Jones can't have been a hindrance when he came to replace the Manfred
Mann frontman later that year...
Though
Latin soul left an enormous impact on New York in the 60's, few British
acts dared to flirt with the South and Central American rhythms of masters
like Mongo Santamaria and Tito
Puente. But the Timebox
were no ordinary club band. As their 1967 version of Cal
Tjader's "Soul Sauce"
proved they were a multi-faceted instrumental band, whose later singles
for Deram flirted with psychedelia. At the
end of the decade, they underwent their most significant transformation,
emerging as Patto - one of
the most underrated British bands of the early 70's.
When
The Kinks' leader Ray
Davies was suffering from nervous exhaustion in 1966, he diverted
his traumas into a whimsical song about a cricketer facing the "End
Of The Season". Intensely personal though it was, the
tune attracted the attention of the Ugly's
- a Birmingham band whose ever-changing line-up was a breeding ground
for future Midlands rock luminaries. Of the musician on this single, Steve
Gibbons led his band to fame in the 70's: Dave
Pegg became a key member of Fairport Convention;
Roger Hill mad a fleeting appearance as a
member of the Move; Jimmy
O'Neill and Jimmy Holder ended the
decade with the Mindbenders. Future Move
star Trevor Burton and ELO
instrumentalist Richard Tandy also passed
through the Ugly's ranks, to prove that there
was no better preparation for 70's rock stardom an apprenticeship in the
frenetic British pop scene of the 1960's
--Peter Doggett - September 2000
The
picture of the Ugly's
single is taken from internet. So far I don't have any of their singles.
Here you have some information on this release:
A-side:
"End Of The Season"
B-side: "Can't Recall Her Name"
Pressing: Pye Records 7N 17178 - 1966 - Holland
Do
someone have a copy for me...
Curious
about other bands here? Do yourself a big, big favour and check out Timebox
which later changed name to Patto.
Patto is a fantastic progrock album
with sometimes a jazzy touch. Ollie Halsall
(R.I.P.) might be one of the best guitarist ever, but not on the commercial
market. What a shame!
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